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“Let Me Sleep beside you;” is essentially homage to the theory of physical tình yêu – the tình yêu which begins as lust and peters out slowly, leaving behind something less than affection. The song seems to be saying that there is nothing actually wrong with the theory of this kind of love, but that the complications come in when progressions through the stages of the tình yêu are reached bởi the different parties at different times in their relationship.
A convincing argument put phía trước, chuyển tiếp bởi Bowie which highlights the transitional stage of youth to adulthood, and claims that it can only be accomplished through taking a series of steps which will lead to the consummation of their love. The song lacks any kind of infectious energy, seeming reserved in its forthrightness. Bowie’s vocals are not exemplary, and the track is devoid of any hooks hoặc opportunity to empathise with the situation presented bởi Bowie.
An unappealing track which sucks the others down through association; “Let Me Sleep beside you” is a wholly personal song which does not translate well to the ears of a casual listener. Definitely a miss if you’re looking for a general idea of Bowie’s work at the time – there’s no need to be disappointed when there are so many other great tracks!
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Source: http://www.velvetgoldmine.it/
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Source: rollingstone.com
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Source: rollingstone.com
“The Gospel According to Tony Day;” Is an allegoric collection of different people’s schemas in approach to life as viewed bởi Bowie. It clearly displays the driving force which Bowie senses behind these collections of people in their approach to most things in life.
A somewhat restrained sound permeates the song, as it lacks the life and emotiveness which most of the CD contains. This track holds an intriguing view on society, but it lacks the force which is usually so effortlessly conveyed through and with Bowie’s other songs. On another level, however, it is powerful in that it realises...
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“We Are Hungry Men;” Is an amusing look at the idea of the world over-populating, and the nature of those who make to bring this message of impending doom to the general population. It explores the idea that those who are pushing the message of over-population are selfish and “not your friends,” as they attempt to do anything they can to continue their own personal existences, regardless of what others may want.
The track explores the idea of a lack of political conscience, and the full egos of those in control who are shocked when their message of ‘salvation’ is not taken well....
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“Did bạn Ever Have a Dream;” Is a jaunty snapshot of the other-worldly brilliance of dreams, which we tend to take for granted. “I will travel round the world one night, on the magic wings of astral flight,” is but one of the lines from this song which attempts to point out the obvious; dreams are “A very special knowledge,” and they’re something which is totally ethereal. People tend to accept dreams for what they are: commonplace. Certainly, some people lay great stock bởi their dreams and others will gleefully tell bạn of their imaginary night-time exploits, but the general...
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posted by Ashley-Green
“Sell Me A Coat;” Shares elements of “Uncle Arthur,” as it gives a clear picture of Bowie’s purest voice, however the general tone and subject of the song is tổng thể thêm sombre thanks to the introduction of a slower rhythm and dejected plaint from Bowie.
Introduced bởi the slow, sure intonation of “La la la la la,” “Sell Me A Coat” creates a bittersweet picture of Bowie’s loss of his “Summer girl.” Whether physical hoặc purely metaphorical, this story, however peculiarly executed, certainly proved a foundation for some of Bowie’s later work; introducing his tendency to...
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posted by Ashley-Green
“Uncle Arthur;” This buoyant melody, inspired bởi Bowie’s incredulity and subsequent interest in one of his friend’s confessions that they were not a twenty-year old musician, but a twenty-seven năm old uncle is equipped with hand-clapping and a sweet, honest delivery bởi Bowie. With a touch of pointed mirth, this song proves itself a simple, catchy tune which seems to be laughing at Bowie’s own aspirations to fame. With a simple chord structure and range, its feel-good aura is contagiously fun. Personally, I immediately took a liking to the openness of Bowie’s voice in this song,...
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