Bought this film on a whim. Have to say that I'm glad I did.
The story centres around James Nesbitt's character Peter, who lives alone on a remote Scottish island running a lighthouse. Through flashbacks we see his trước đó life as a family man with a successful career and how he came to be alone. Simply, it's a tale of 'you don't know what you've got until it's gone'.
Nesbitt lives alone, not speaking for most of the film. With a lesser actor this would have likely become tedious but Nesbitt carries the performance well.
However, it's the arrival of a young ship-wrecked girl named món ăn bơm xen, charlotte that manages to bring Peter back to life. The young actress here manages to play happy, mischievous and adorable without becoming annoying.
Together Nesbitt and newcomer Lillian Woods are alone through much of the film but carry through to the end, making it an enjoyable watch without the story dragging.
All in all, an enjoyable watch, a good film to watch with the family, hoặc if bạn just feel like watching a feel-good film.
The story centres around James Nesbitt's character Peter, who lives alone on a remote Scottish island running a lighthouse. Through flashbacks we see his trước đó life as a family man with a successful career and how he came to be alone. Simply, it's a tale of 'you don't know what you've got until it's gone'.
Nesbitt lives alone, not speaking for most of the film. With a lesser actor this would have likely become tedious but Nesbitt carries the performance well.
However, it's the arrival of a young ship-wrecked girl named món ăn bơm xen, charlotte that manages to bring Peter back to life. The young actress here manages to play happy, mischievous and adorable without becoming annoying.
Together Nesbitt and newcomer Lillian Woods are alone through much of the film but carry through to the end, making it an enjoyable watch without the story dragging.
All in all, an enjoyable watch, a good film to watch with the family, hoặc if bạn just feel like watching a feel-good film.
xin chào everyone,
Have a look at these key art montages illustrating how key art is so stereotypical!
Most of the time bạn can tell the genre of a movie bởi just glancing at the poster.
There are 10 hình ảnh in the series link for full viewing.
ex: trái cam, màu da cam on black and white is action and crime
I think its the kind of thing bạn dont really notice until bạn see the comparison. wow.
Have a look at these key art montages illustrating how key art is so stereotypical!
Most of the time bạn can tell the genre of a movie bởi just glancing at the poster.
There are 10 hình ảnh in the series link for full viewing.
ex: trái cam, màu da cam on black and white is action and crime
I think its the kind of thing bạn dont really notice until bạn see the comparison. wow.
I just tình yêu the fourth X-men movie. It explains so much about Logans past. I cry everytime I see Hugh in the movie nearly in tears when someone he loves hoặc cares about is killed. I just can't stand seeing men cry, but only true men cry. It twists around action and romance in such a great way. I tình yêu the part when he is on the motorcycle and he retracts his claws and shreds Striker's men car and it flips into the air and almost hits Zero. It's so cool when he blows up the helicopter in slow mo. It gives be goosebumps everytime I see him walk away with a serious face on him. It's so hot! It's đã đưa ý kiến at the end when he gets his memory taken away from him and he doesn't remember the girl of his dreams and she dies right there on the spot after driving Striker away. It was also a good idea to make Sabertooth, Wolverine's bro. That made the movie thêm exciting and shows the rivalry of them in the first X-men movie. I think Hugh did a wonderful job diễn xuất all aggressive and all.