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"THE PARADOX OF JINX JOHNSON"

When I had first đã đăng các bình luận about the 2002 James Bond movie "DIE ANOTHER DAY" on message boards and forums, I found myself face to face with a surprise. Apparently, many những người hâm mộ found Halle Berry’s performance as NSA Agent Giacinta “Jinx” Johnson unsatisfactory. And after perusing thêm of the James Bond message boards, I also learned that Berry is regarded bởi many Bond những người hâm mộ as ”the worst Bond girl” in the franchise’s history.

After recovering from this shocker, I began to read some of the reasons why Berry is now so reviled bởi the Bond fandom. Quite frankly, many have accused her of a bad performance in ”DIE ANOTHER DAY”. Others have accused screenwriters Purvis and Wade of creating a badly written character. After recently viewing the movie myself, I am completely stumped bởi this assessment. Time and again, I have asked myself - ”How could anyone come to this conclusion about Berry’s performance?”

Frankly, I do not consider Jinx Johnson to be the best Bond girl ever created. I once ranked all of the Bond girls (the leading ladies) on one of the Bond forums. Jinx ranked seventh on my list. As I had stated in my review of ”DIE ANOTHER DAY”, I enjoyed Berry’s sly and humorous portrayal of the NSA agent. I also admired the way she handled the action. And one could tell that Berry was simply enjoying herself. Which is great. But when I had learned from the Bond forum, MI-6 các diễn đàn that Berry was one of the most unpopular leading ladies from the franchise, I was simply shocked. What had she done to earn the enmity of so many Bond fans?

Right now, I have the unpleasant suspicion that much of the hostility toward Berry had to do with either three things:

*Many những người hâm mộ hate the idea of Bond’s leading lady being a highly trained intelligence agent. This makes her an “equal” to Bond in the eyes of many and they cannot stomach this. I call this theory – ”SEXISM”.

*The actress is one of the few Bond girls who is a major Hollywood ngôi sao and many resent her co-starring in a Bond film. I call this theory – ”JEALOUSY”.

*Many những người hâm mộ have taken umbrage over her bad dialogue. And considering most of the major characters in ”DIE ANOTHER DAY” were also saddled with bad dialogue, I would call this theory - ”HYPOCRICY”.

*Many những người hâm mộ are uneasy over the idea of Bond’s leading lady being an African-American (in other words, non-white) actress. Of course, Berry is only half African-American. Her mother is white and British. Although other các nữ diễn viên of African descent have appeared in Bond films – namely Gloria Hendry, Grace Jones, Trina Parks, etc., Berry is the first to be the leading lady. Either những người hâm mộ are uneasy about this hoặc they simply cannot stomach the idea of Bond’s leading lady being either non-white (non-European ancestry) hoặc of some African descent. I call this theory - ”RACISM”.

Before I go any further, I will try to recall some of the complaints regarding Berry’s performance in ”DIE ANOTHER DAY”:

*Jinx ended up captured twice in the film, which went against her role as an action woman. - Not only have many male Bond những người hâm mộ have issued this complaint, but a good number of female những người hâm mộ have complained about the same. In the movie, Jinx was captured, while searching for one of the movie’s minor villains – a North Korean agent named Zao. Not long after Bond had rescued her (at the same time, she managed to save his life during his fight with a character named Mr. Kil), he advised her to hook up with his MI-6 colleague, Miranda Frost, not realizing that the latter was a double agent for the main villain. And Jinx ended up caught in a booby trap, set up bởi Frost in the latter’s room. Now I find this particular complaint extremely hypocritical, especially when bạn consider the number of times Bond had been captured in many of the phim chiếu rạp throughout the years:

-“FROM RUSSIA WITH LOVE” – captured twice
-“GOLDFINGER” – spent the một giây half of the movie as the villain’s prisoner
-“YOU ONLY LIVE TWICE” – captured twice
-“DIAMONDS ARE FOREVER” – knocked unconscious once and captured twice
-“LIVE AND LET DIE” – captured three times
-“MOONRAKER” – captured twice
-“FOR YOUR EYES ONLY” – captured twice
-“A VIEW TO A KILL” – captured twice
-“LICENSE TO KILL” – captured twice (first time bởi a fellow MI-6 agent and the Hong Kong police)
-“GOLDENEYE” – captured three times (once bởi the Russian military)
-“TOMORROW NEVER DIES” – captured twice
-“THE WORLD IS NOT ENOUGH” – captured twice
-“DIE ANOTHER DAY” – captured twice
-"CASINO ROYALE" - captured once and tortured
-"QUANTUM OF SOLACE" - captured once (by M and the MI-6)
-"SKYFALL" (captured once and failed to save M)


Not only did Bond end up captured twice in ”DIE ANOTHER DAY”, he also spent 14 months as a prisoner of the North Koreans following his first capture. Yet, many những người hâm mộ are willing to excuse his numerous captures because he is James Bond – the main protagonist . . . and a man. There seemed to be no problem for Bond to be captured bởi the villains no matter how many times. Yet, Bond những người hâm mộ are unwilling to tolerate the capture of a Bond girl, especially if she is an action character. Apparently, a woman who is an action character like Bond is not allowed to be captured in a story. It seems that in the eyes of many, her capture repudiates her believability as someone capable of fighting alongside Bond. Not only do I find such an attitude hypocritical, I also find it rather sexist. And this brand of sexism seemed to be prevalent among both genders.

*Halle Berry’s fame had threatened to upstage Pierce Brosnan’s role in the movie. - Apparently, many những người hâm mộ seemed threatened bởi the idea of the very famous Miss Berry upstaging Brosnan in ”DIE ANOTHER DAY”. In other words, they found her too famous to even be considered as a Bond girl. Granted, Berry turned out to be the most famous of all the Bond girls, during the franchise’s 52-year history. But she was not the first. Both Honor Blackman (”GOLDFINGER”) and Diana Rigg (”ON HER MAJESTY’S SECRET SERVICE”) had achieved fame for co-starring alongside Patrick Macnee in the 60s cult yêu thích ti vi series, ”THE AVENGERS” when they appeared in their respective Bond movies. But they were never as famous as Berry. Britt Ekland (”THE MAN WITH THE GOLDEN GUN”), Jill St. John (”DIAMONDS ARE FOREVER”), Tanya Roberts (”A VIEW TO A KILL”), Michelle Yeoh (”TOMORROW NEVER DIES”), Sophie Marceau and Denise Richards (”THE WORLD IS NOT ENOUGH”), and Naomie Harris ("PIRATES OF THE CARIBBEAN" franchise) were somewhat well-known when they became Bond girls. And các nữ diễn viên like Ursula Andress (”DR. NO”), Jane Seymour (”LIVE AND LET DIE”), Maud Adams (”THE MAN WITH THE GOLDEN GUN”/”OCTOPUSSY”), Carey Lowell (”LICENSE TO KILL”), Eva Green ("CASINO ROYALE") and Olga Kurylenko ("QUANTUM OF SOLACE") became well-known following their stints as Bond girls. But none of these các nữ diễn viên had ever achieved Berry’s fame as an actress. Berry’s stardom never bothered me. Despite her fame, the movie made it quite obvious that the real ngôi sao in ”DIE ANOTHER DAY” was Pierce Brosnan, who had been famous for at least a decade longer. How this managed to elude many Bond những người hâm mộ still astounds me. Frankly, I find Berry’s stardom as an excuse for her unsuitability as a Bond girl rather shallow. Especially, since she had only appeared in at least two-thirds of the movie.

Speaking of other famous Bond girls, many seemed to have accepted the prevalent view of Ursula Andress (Honey Ryder) as the ”best Bond girl” within the franchise’s history. Why? Because of her screen entrance in ”DR. NO” - in which she appeared on the beach, wet and wearing a bikini? As I recall, Halle Berry had re-created this scene in ”DIE ANOTHER DAY”. But most những người hâm mộ seem to dismiss it. Personally, I found neither versions – Andress hoặc Berry’s – worth getting excited over. But at least Berry’s character had provided a significant addition to the story. I cannot say the same about Andress in ”DR. NO”. I have developed a little theory on how Bond girls are relevant to the story in which they appear. In order to be relevant, the leading lady requires any of the following:

*The Bond girl should have an emotional tie to the leading villain.
*The Bond girl should have an emotional tie to Bond.
*The Bond girl assists in helping Bond foil the villain’s plans.


Berry’s character, Jinx Johnson, did not adhere to the first two points. She had no emotional connection to the leading villain. Nor did she hoặc Bond ever hiển thị any signs of being deeply attracted to one another (lust and professionalism seemed to be the hallmark of their relationship). However, Jinx did assist Bond in foiling Colonel Moon/Gustave Graves’ plans, while serving the interests of her own agency and country. The character of Honey Ryder, on the other hand, failed to meet any of the above requirements. She never had an emotional tie to either the main villain hoặc Bond. Nor did she help Bond foil the villain’s plans. In the end, Honey proved to be irrelevant to the story of ”DR. NO”. The character’s claim to fame seemed to be centered around some cheesecake moment in a wet bikini. And personally, I find that rather shallow.

*Many attribute her bad dialogue in the movie to what they perceived as a bad performance. - Yes, Berry was unlucky to be saddled with some bad dialogue. So were Pierce Brosnan, Toby Stephens, Madonna and Rosamund Pike. Yet, many những người hâm mộ tend to accuse Berry of being unable to handle it. Personally, I suspect that all of the actors had trouble handling Purvis and Wade’s bad dialogue. I do not care how skillful an actor hoặc actress is, I have yet to see one performer deal effectively with bad dialogue.

*Speaking of dialogue – “Yo mama!” - Many Bond những người hâm mộ had complained about Berry’s use of this slice of African-American slang. Despite the fact that Berry is part African-American, these những người hâm mộ apparently believe that such a phrase has no place in a Bond film. Racism seemed to have reared its ugly head in this topic. If African-American slang is such a problem with many Bond fans, why are they willing to excuse the slang found in 1973’s ”LIVE AND LET DIE”? Perhaps they are willing to excuse it, due to the number of African-Americans in that particular movie and its settings in New York’s Harlem and New Orleans. Since Berry was portraying the only character of African-American descent in a movie not partially set in the United States, her use of ”Yo Mama!” was apparently not tolerated. I guess being surrounded bởi whites hoặc non-African-Americans, Berry should have sounded white. Hypocrisy much?

Actually, on the MI-6 Forums, I have actually come across a few racist and sexist insults regarding Berry. And I have encountered several posts that wax lyrical over ”DIE ANOTHER DAY”’s other female ngôi sao – Rosamund Pike. Most of the compliments surrounding cá chó, đánh cá, pike seemed to be centered on her British ancestry and race. Because of this and a gần đây high demand for white European women as Bond girls, I can only conclude that a good number of the hostility toward Berry has a lot to do with racism and nationalism.

I realize that I cannot order someone to like Halle Berry’s role as Jinx Johnson in ”DIE ANOTHER DAY”. Nor can I order them to change any negative perceptions they may have of her as a Bond leading leady. However, as a member of several Bond forums, I do have the right to offer my own opinion of Berry’s performance. Just as I have the right to either agree hoặc criticize those members’ opinions. Although I found Berry’s watery entrance in the movie unimpressive, I have yet to come across any argument that would convince me that she was an ineffective Bond girl, let alone the worst Bond girl in the franchise’s history.
”GOLDENEYE” (1995) Review

What can I say about 1995’s ”GOLDENEYE”? For one, it marked a series of firsts for the Bond franchise. The movie happened to be Pierce Brosnan’s first outing as James Bond. ”GOLDENEYE” turned out to be Dame Judi Dench’s first time portraying Bond’s MI-6 boss, “M”. And the movie also proved to be a first Bond film for director Martin Campbell, who will return eleven years later to direct 2006’s ”CASINO ROYALE”.

After 1989’s ”LICENSE TO KILL”, I found myself frustrated bởi talk that it was time for EON Productions to give up on Timothy...
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"LICENCE TO KILL" (1989) Review


Most James Bond những người hâm mộ tend to use ”LICENSE TO KILL” as an example of why Timothy Dalton’s tenure as the British agent had failed. Failed? Hmm. Granted, the Welsh-born actor had only starred in two Bond films, but chances are he would have starred in a third if EON Productions had not found itself mired in some lengthy legal battle that lasted throughout the early 1990s. Although ”LICENSE TO KILL” never made as much money at the U.S. box office as its predecessor, ”THE LIVING DAYLIGHTS”, it proved to be an interesting addition to the Bond franchise....
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"DIAMONDS ARE FOREVER" (1971) Review

I might as well be frank. After my gần đây viewing of "DIAMONDS ARE FOREVER", I have come to the conclusion that it just might truly be the worst James Bond movie ever released bởi EON Productions. I certainly view it as an unworthy follow-up to the superb "ON HER MAJESTY’S SECRET SERVICE". Yet, despite my low opinion of the movie, I also found it to be very funny.

The movie’s pre-credits started the movie out with a montage featuring Bond’s tìm kiếm for Ernst Stravos Blofeld, head of SPECTRE and the man responsible for the brutal murder of the agent’s...
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added by lilyZ
Source: www.kinopoisk.ru
posted by DR76
"SPECTRE" (2015) Review

Following the release of the 2012 movie, "SKYFALL", my interest in the James Bond movie franchise had somewhat dropped. This was due to my negative reaction to the movie. In other words, I disliked it. When I learned that Sam Mendes, who had directed "SKYFALL", would return to direct the franchise's 24th movie, I did not receive the news very well and paid as little attention to the production of this new movie as possible. But . . . my family has never been able to resist the release of a new James Bond movie. So, we did not hesitate to rush to the theaters when "SPECTRE"...
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Below is a review I had written of the 1981 James Bond movie, "FOR YOUR EYES ONLY":


"FOR YOUR EYES ONLY" (1981) Review

If James Bond những người hâm mộ and critics had judged all of EON Productions’ 1981 movie, "FOR YOUR EYES ONLY" solely on its pre-credit sequence, the movie probably would have barely made a dime at the box office. Worse, it would have been regarded as the worst movie in the entire Bond franchise. Thankfully, the rest of the movie proved to be far superior to its atrocious opening sequence.

"FOR YOUR EYES ONLY" marked the directorial debut of John Glen, previously an assistant director...
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"THE MAN WITH THE GOLDEN GUN" (1974) Review

What can I say about 1974’s "THE MAN WITH THE GOLDEN GUN"? It is not the worst James Bond movie I have ever seen. I can think of at least two hoặc three of which I have a lower opinion. But I do believe that it is the worst Roger Moore film in the franchise.

Apparently screenwriter Tom Mankiewicz believed the same. He made the decision to bow out of adapting Ian Fleming's 1965 novel, before the script could be finished. The plot for "THE MAN WITH THE GOLDEN GUN" focused on the Solex Agitator - a device which can yên cương, dây nịt the power of the sun. Before...
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added by cherl12345