"HARRY POTTER AND THE DEATHLY HALLOWS – Part I" (2010) Review
I have been a major người hâm mộ of J.K. Rowling’s "HARRY POTTER"
novels as much as the tiếp theo person. But I would have never become a người hâm mộ if it had not been for the movie adaptations of the novels. Mind you, I have not harbored a high opinion of all the movie adaptations. It has been a mixed bag for me over the past nine years. Of the seven phim chiếu rạp that were made, I have a high opinion of at least four of them. And last year's movie - "HARRY POTTER AND THE DEATHLY HALLOWS – Part I"
- happened to be one of them.
I never thought I would think highly of ”HARRY POTTER AND THE DEATHLY HALLOWS – Part I”. When I had heard that Warner Brothers planned to chẻ, phân chia, split Rowling’s seventh novel into two movies, I did not think it was a good idea. And I felt it was an attempt bởi the studio to get as much profit from Rowling’s saga as much as possible. Being a steady người hâm mộ of the franchise, I went ahead and saw . . . and thanked my lucky stars that the movie had not been shot in the 3-D process. Not only did I develop a high opinion of ”HARRY POTTER AND THE DEATHLY HALLOWS – Part I”, I fell in tình yêu with it. Considering the number of complaints I have heard about the movie, I suspect that many would be surprised bởi my opinion. But I did. I fell in tình yêu with that movie. And considering the detailed nature of Rowling’s novel, the decision to make two phim chiếu rạp from it may have done justice to Steve Kloves’ screenplay.
Directed bởi David Yates, ”HARRY POTTER AND THE DEATHLY HALLOWS – Part I” told the story of Harry Potter and his two close Những người bạn – Ron Weasley and Hermione Granger – and their efforts to elude Lord Voldemort and his Deatheasters throughout Britain, after the latter assumed control of the wizarding world following Albus Dumbledore’s death in ”HARRY POTTER AND THE HALF-BLOOD PRINCE”. Not only did Harry, Ron and Hermione do their best to elude Voldemort and the Deatheaters; they had to find and destroy the remaining horcruxes – objects hoặc receptacles in which Voldemort had hidden parts of his soul for the purposes of attaining immortality. Harry had destroyed Voldemort’s school diary in ”CHAMBER OF SECRETS”. And before the start of ”HALF-BLOOD PRINCE”, Professor Dumbledore had destroyed another - Marvolo Gaunt's ring. There remained five horcruxes for the trio to find and destroy. But as fugitives within Britain’s wizarding world, their task proved to be difficult.
As I had stated earlier, I ended up falling in tình yêu with ”THE DEATHLY HALLOWS – Part I”. But this feeling did not blind me to its flaws. And it had a few. One, what happened to Dean Thomas? For the first time in the saga’s history, he had a bigger role. At least in the novel. He failed to make an appearance in this adaptation. Mind you, his lack of presence did not harm the story. But it would have been nice for Harry, Ron and Hermione to encounter at least one fellow Hogswarts student (other than Luna) during their adventures. And poor Dean Thomas had been sadly underused since the first movie. Two, I wish that director David Yates and editor Mark ngày had chopped some of the scenes featuring the Trio’s ”Winter of Discontent”. I could understand that the three Những người bạn would endure a great deal of despair over their situation and the state of the wizarding world. However . . . was it really that necessary to endure so many shots of Harry, Ron and Hermione staring into space, looking depressed? These scenes nearly bogged down the movie’s middle section. The Dursleys barely made a presence in this movie. Worse, Kloves had decided to xóa Harry and Dudley’s goodwill good-bye. Who became the new owner of Sirius Black’s home, Number 12 Grimmauld Place, following his death? Since ”THE HALF-BLOOD PRINCE” movie failed to clear the issue, I had hoped this movie would. It never did. I had also hoped that ”THE DEATHLY HALLOWS – Part I” would clear reveal the identities of the two other horcruxes that were revealed in the sixth novel - Helga Hufflepuff's Cup and Rowena Ravenclaw's Diadem. The only thing that Kloves’ script did was mention that the Trio did not know about the cup, the diadem and two other horcruxes.
Despite these annoyances, I still tình yêu ”THE DEATHLY HALLOWS – Part I”. The only HARRY POTTER movie that I tình yêu thêm is 2004’s ”HARRY POTTER AND THE PRISONER OF AZKABAN”. There had been complaints of the movie’s dark tone. Personally, this did not bother me one bit. In fact, I reveled in the story’s darkness. Other HARRY POTTER have ended on a dark note. But the story’s dark tone was not only well handled in Rowling’s novel, but also in Kloves’ script. Why? Because it suited the story. Aside from the ”Winter of Discontent” sequence, the rest of the pacing for ”THE DEATHLY HALLOWS – Part I” was well handled bởi Yates and Kloves. The movie also featured some outstanding sequences. Among my yêu thích were the following:
*Lord Voldemort’s murder of Charity Burbage at the Malfoy Manor.
*The Order of the Phoenix escort Harry to the Weasleys’ home, the Burrows.
*Harry, Ron and Hermione’s escape from Bill and Fleur’s wedding at the Burrows to London.
*The attack upon the Trio bởi two Death Eaters at a Luân Đôn café.
*The Trio steal Salazar Slytherin’s locket from Dolores Umbridge at the Ministry of Magic.
*Ron’s departure from Harry and Hermione, following a vicious quarrel between him and Harry.
*Harry and Hermione’s narrow escape from Godric’s Hollow.
*Ron’s reunion with Harry and Hermione and his destruction of Salazar Slytherin’s locket (a horcrux).
*Xenophilius Lovegood’s (and Hermione’s) narration of Peverell brothers and the Deathly Hallows.
*Dobby’s rescue of the Trio, Luna Lovegood and Mr. Ollivander from the Malfoy Manor.
Of the above scenes, at least three of them stood out for me. One of those scenes was the quarrel that broke out between Harry and Ron during the ”Winter of Discontent”. I found it ugly, brutal and emotional, thanks to the performances of the three leads. They really made this scene worked and for the first time; it occurred to me that Daniel Radcliffe, Rupert Grint and Emma Watson had really grown in their skills as actors. Hell, in this scene, they gave the best performances in the movie. Another scene that really stood out was Xenophilius Lovegood’s narration of the bleak tale regarding the Peverell brothers and the three Deathly Hallows (the Elder Wand, the Resurrection Stone and the áo choàng of Invisibility). What made this sequence unique was that it was shown via some visually stunning animations designed and directed bởi Ben Hibon. But the one scene that really impressed me was the Ministry of Magic sequence that featured the Trio’s retrieval of Salazar Slytherin’s locket from the odious Dolores Umbridge (now head of the Muggle-Born Registration Commission). From the moment that Harry, Ron and Hermione used Polyjuice Potion to transform into three workers from the Ministry of Magic (Sophie Thompson, David O’Hara and Steffan Rhodri), until their escape via apparition; the entire scene was a fabulous ride filled with tension, humor, chaos and adventure. I would rate it as one of the best sequences in the entire saga.
I had already đã bình luận on the marvel of the three leads’ performances. For once, Radcliffe, Grint and Watson were the ones to give the most outstanding performances; instead of a supporting cast member. But there were other excellent performances. One came from Tom Felton, who continued his ambiguous portrayal of Hogswarts student Draco Malfoy that began in ”THE HALF-BLOOD PRINCE”. Another came from Ralph Fiennes, who gave a better performance as Lord Voldemort – especially in the opening sequence at Malfoy Manor – than he did in both ”THE GOBLET OF FIRE” and ”THE ORDER OF THE PHOENIX”. In fact, I could say the same about Helena Bonham-Carter, who seemed less over-the-top and a lot scarier than she was in her trước đó appearances. Rhys Ifan was deliciously entertaining as Luna Lovegood’s equally eccentric father, Xenophilius. And I have to give kudos to Sophie Thompson, David O’Hara and Steffan Rhodri did a great job in conveying their adolescent characters (Hermione, Harry and Ron) through body language – especially since the three leads added their voices. And in his few scenes, Alan Rickman was his usual superb self as the enigmatic Severus Snape. A good example of how ambiguous he could be can be seen in the sequence featuring the death of an old friend of Snape’s – Charity Burbage. All bạn have to do is look at Rickman’s eyes and face.
Considering that this tale has no choice but to end happily in ”THE DEATHLY HALLOWS – Part II”, I could assume that ”Part I” might prove to be the darkest movie in the HARRY POTTER. On the other hand, Yates and Kloves might prove me wrong. But despite a few flaws, I believe that ”HARRY POTTER AND THE DEATHLY HALLOWS – Part I” is one of the best phim chiếu rạp in the franchise. I have not truly enjoyed a HARRY POTTER this much since ”THE PRISONER OF AZKABAN”. And I can thank director David Yates, screenwriter Steve Kloves; and the three leads – Daniel Radcliffe, Rupert Grint and Emma Watson. Excellent job, guys. Excellent job.